Financing the Basilica

The Chapel of Nicholas V in the Vatican

Palace

Let’s go back to the saga of building Saint Peter’s.  We had discussed in earlier blogs  (April 16, 2011)  that by the fifteenth century Constantine’s basilica was falling down—the north wall was totally out of plumb and in danger of collapse.  There had been plans to expand the old basilica and enlarge it under Nicholas V in the middle of the fifteenth century and the papal architect, Bernardo de Matteo Rossellino had actually begun building a new apse, but with the Nicholas’ death in 1455 the project came to nothing.  (One thing that does last to Nicholas’ everlasting credit—at least measured in earthly values, if not heavenly—is the exquisite chapel in the Vatican frescoed by Dominican friars, Fra Angelico. To my mind it is the most beautiful of all the churches and chapels in the Vatican—more than the Sistine Chapel or Saint Peter’s itself.  It is quite small—smaller than most bedrooms in a modest suburban American home—but exquisite for the sublime frescoes of Saints Laurence and Stephen.   O well, back to the Basilica (which I have always thought to be rather garish). 

Fra Angelico fresco of Saint Laurence

distributing alms

     Anyway, it was Julius II della Rovere who decided to tear down the old Basilica and construct a new one—a radical decision. (Imagine of Benedict decided to tear down the current Basilica and build a new one “in the modern style;” don’t you think that infallible or not his ass would be in a sling with all the neo-cons?  Well Julius had it no easier.  People were horrified.  Julius was called all sorts of things even by the Cardinals.  (I bet the biggest critics of any pope are from among the Cardinals though they keep their deprecations among their closest friends.)  Originally Julius’ motivation was he wanted the space to hold this new tomb that he had Michelangelo carving over 40 larger-than-life figures to adorn.  But Julius was a man with many irons in the fire.  Michelangelo was working on the tomb, Bramante on the basilica.  But the pope wanted to expand his palace.  First he didn’t want to live in the apartments of his predecessor, Alexander VI Borgia, whom he hated.  Alexander was an evil man, but that wasn’t what stopped Julius from liking him.  Julius understood weaknesses of the flesh as well as anyone.  It was just that the Borgias and the Della Roveres were the Hatfields and McCoys of fifteenth century Rome.   Each family had held the papacy at different times and tried to shut out the other family from power and influence in their turn.   So Julius had new apartments built and commissioned Raphael to fresco them. But that was only part of the remodeling project.  Innocent VIII had built a villa on a hill just north of the Vatican palace to which he could retire in the heat of Roman summers—the hill commanding refreshing breezes that missed the palace lying on lower ground.  The villa was named the Belvedere—“beautiful to see” or “beautiful views” because it gave lovely views of the meadows and orchards at the time lying between the Vatican and the Castle Sant’Angelo. Julius decided to connect the palace and the villa with two long narrow buildings, creating a massive courtyard between.  When one visits the Vatican Museum today you spend a lot of time in these wings that are wonderfully frescoed and which for years held the treasures of the Vatican Library.   Not only was Julius building basilicas and palaces and tombs, but everyone who was anyone in Rome was into building—palaces, churches, monuments.  With Julius, Rome had displaced Florence and become the center of the Renaissance.  Rome was swarming with artists, sculptors, architects, musicians, littérateurs, gold and silversmiths, all seeking patronage.  And the Church officials were only too happy to patronize them.  An essential part of the career path in the Church was liberality in patronizing the arts.  Prelates became known for the churches they were building or furnishing and for the opulent palaces in which they lived and the lavishness with which they entertained.  I make fun, as you know, of the clerical coxcombs who parade around in trains of scarlet silk and furred capes today—but it fit the espirit of the times. (Whether it fit the Gospel any better then than now is another question, but then I am sure Jesus has shed more tears over his Church than he ever did over Jerusalem of old.) This created huge employment—stone masons and carpenters, cooks, stewards, servants, mixers of paints, cutters of stone, hewers of trees, pages, vinters, brewers, bakers, chandlers, glass blowers, weavers,  tailors, grocers, stable hands, milliners, construction workers, brickmakers : Renaissances are not cheap.  As I mentioned in earlier blogs money was being drained from all over Europe to pay for the extravagance but at the same time—as Democrats know and Republicans fear—spending 

Ordination of Laurence as Deacon

creates jobs and Rome was abustle with work and employment means money and money means more jobs.  But how could it be kept being fueled?  Pope Julius had an excellent banker—we would refer to him today as a Finance Minister or Secretary of the Treasury, he didn’t stand behind a window counting out twenties.  His name was Agostino Chigi and he had an idea. “ Why not,” he asked Julius, “why not sell indulgences?”  indeed, why not?

How the Vatican came to be the Pope's home

When the papacy left Avignon and returned to Rome in 1377 the papal court found the old Lateran palace which had been the official papal residence adjoining the pope’s cathedral, the Basilica of Saint John Lateran, in such ruin that it was not habitable so they took up residence in a warren of buildings adjoining the basilica of Saint Peter in the Vatican. You may remember from earlier blogs (January 17 and 18) that Constantine had built basilicas over the tombs of the Apostle Paul (on the Via Ostia) and the Apostle Peter (on the Vatican hill) and that the popes kept a residence at the Vatican for those occasions when they were presiding at ceremonies in that church so that they did not have to journey from the Lateran to the Vatican or return to the Lateran the same day. Innocent III had modernized (well, "modern" for the thirteenth century) the buildings to the north of the basilica and it was here that the popes settled. Well, some of the popes settled, others preferred a variety of palaces around Rome. Paul II Barbo, for example, had rebuilt the residence of the Cardinal Priest of the Basilica of Saint Mark just north of the Capitoline Hill and made it into a splendid renaissance palace. When he was elected pope in 1474, he preferred to remain in his Palazzo Venezia than live in the Vatican and so it served as a papal residence for a number of years, (It also later served as Mussolini’s official headquarters.) Allesandro Farnese, a man who owed his cardinal’s hat to his sister (the so-called Giulia Bella –beautiful Giulia) being the mistress of Pope Alexander VI Borgia, built a magnificent palace –to my mind the most beautiful building in Rome—called the Palazzo Farnese and when he was elected Paul III he too opted to live in this palace even though it was still undergoing its “finishing touches.” This doesn’t mean that the Vatican Palace was being neglected Nicholas V (1447-1455) did a substantial renovation of the older buildings and Alexander VI Borgia constructed new apartments for himself during his reign (1492-1503). Nicholas V’s private chapel was frescoed by Fra Angelico with scenes of the lives of Saints Stephen and Laurence and is—to my mind—the most exquisitely beautiful room in the Vatican Palace—or at least those parts of the palace that we mere mortals get to see. It is a small room that can hold probably no more than ten or twelve people, but the aforementioned frescoes are windows into another world. The Borgia apartment, on the other hand, is a heavy construction—massive and powerful and today houses the Paul VI collection of contemporary (20th century) art. Alexander VI Borgia’s successor, Julius II, despised Alexander and would not live in his apartments so he had apartments of his own constructed directly over them and decorated by Raphael. Like the Borgia apartments, they are today part of the Vatican Museums.
Julius’s uncle, Sixtus IV, (pope 1471-1484) had built the Sistine (named after Sixtus) Chapel between 1473 and 1482. This chapel was built on the site of and to replace an earlier Cappella maggiore (Greater Chapel) which was used for the semi-public papal ceremonies. It apparently was built to the same dimensions of this earlier chapel 134’ by 44’—said to be the dimensions of the temple of Solomon. It would be Julius who would see the decoration of the chapel however, hiring Michelangelo to paint the vault.
Although Paul III Farnese preferred his family palace, he did not ignore his official residence and had the architect Antonio Sangallo the younger—who at the time was serving as the architect of the new Saint Peter’s Basilica that was being built— build the greast reception room—the Sala Regia—and the Pauline chapel in the Vatican Palace. Sangallo also built the Scala Regia to connect the papal apartments with St. Peter’s Basilica. This staircase would later be restored into today’s majestic staircase by Giovanni Lorenzo Bernini. (You really do need to go and see all this beauty for yourself.) in the last of the sixteenth century Gregory XIII (reigned 1572-1585) and his successor, Sixtus V (reigned 1585-1590 and one of my favorite popes) built the block of the palace overlooking Saint Peter’s Square where the actual papal apartments are located. This is ironic in as that Gregory had another building project which would result in those apartments sitting empty most nights for several centuries. But more on that in a few weeks. Enough of papal residences. I want to get back to Anti-Catholicism in America, the building of the Vatican Basilica, and those troublesome American nuns that the Vatican wants to “investigate.” Maybe somebody needs to investigate the Vatican. Hmmm.

Today's image is the Diaconal Ordination of Saint Laurence by Fra Angelico, Chapel of Nicholas V