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| The New Liturgical Movement and the New Old New Mass |
Not all of the Katholique
Krazies (I know, the spelling keeps evolving—English is, after all, a living
language unlike Old Church Slavonic or its Western equivalent) are careless in
their appropriation of catholicitatis
antiquae. One of the better sites—an
often serious academic investigation of liturgical history though directed
towards a bat****crazy agenda—is “New Liturgical Movement.” An intriguing assortment of scholars,
professional and amateur, covering a wide range of topics from the Ambrosian
Rite to Sacred Architecture regularly post meticulously researched articles
aimed at stemming the tide of the Novus Ordo and restoring credibility to the usus antiquior. I regularly read their postings—not because I
agree with their agenda of Instaurare
Omnia in Vanitate, but because, well because they are worth reading from a
historical point of view. The
interpretation of historical data can be skewed towards their particular
agenda, but the data itself is fascinating.
But I was a bit taken aback by a recent posting that implied that the
“Ordinary Form” of the Liturgy is somehow in need of a strong infusion of
spirituality as was found in the golden days of yore when the 1570 Rite was the
ordinary rite and before we surrendered to all this vulgar tongue and even more vulgar guitars
and more vulgar yet, women on the altar, and all the other abominations brought
about by that detestable crypto-Freemason, Annibale Bugnini. (By the way, I notice that New Liturgical
Movement not only keeps women off the sanctuary but off their editorial
board. Hmmm, that’s the problem you know: first the
editorial board and then altar girls and who knows where it ends up. The Church of England began its steady
decline into post-modern Witchery when they started to let women serve on
vestries.)
In any event, I can’t quite
figure out what the folks over at New Liturgical Movement mean by
“spirituality” in this context. I used to teach courses in spirituality back in
the day. Admittedly it was the classic
Catholic approach—monastic spirituality, John of the Cross, the devotio moderna, 17th century French
Spirituality—you know, the usual diet. I
think what they are speaking about is not spirituality proper, but piety. There is a difference, one that unfortunately
is not often covered in seminary classes leaving many priests to confuse the
two. Now, piety is not a bad thing; to
the contrary. But it is not
spirituality.
I always over-simplified it
to my students until they could get a sense of it for themselves from reading
the texts, as: Spirituality marks the relationship of God with the person in
which God takes the initiative and invites the person into relationship and
sustains the person in that relationship by God’s grace. Piety, which comes from the Latin pietas, meaning our duty towards our
deities, our parents, our mentors and others who have guided us through our
formative years or who otherwise have a claim over us, piety marks the
relationship of the person to God in which the person, inspired by grace, takes
the initiative and seeks a deeper relationship to God. Though I never used this image in class, it
is somewhat like who does the leading when we dance. Now piety is often the foundation on which God
builds the relationship we call spirituality, though piety can easily become
short-circuited and engender religious feelings without the genuine sort of
conversion God works in us through spirituality.
So back to the New Liturgical
Movement and its suggestions how to infuse the New Liturgy with Old Time
“Spirituality.” Some of my favorite
suggestions are:
1.
Wear the maniple
and biretta, and the cope for processions or the Asperges/Vidi Aquam.
2.
be sure to lower
your gaze so not as to make eye contact with the people when greeting them with
“the Lord be with you” and other liturgical greetings.
3.
Stand at the
altar with your back towards the congregation, the ad absidem position.
4.
Add all the old
offertory prayers silently alongside the current rite (also to be done
silently) as a “private devotion.”
5.
Recite the Canon
(Roman of course) is a “more subdued voice.”
A footnote suggests that it might even be said inaudibly
6.
Bend noticeably
over the host and chalice when reciting the Words of Consecration and recite
them slowly and deliberately so as to give them “due metaphysical weight.”
7.
Omit the sign of
peace which is, after all, optional (again, we don’t want too much intimacy
with the folk—nothing destroys spirituality like other people)
8.
Hold one’s thumbs
and forefingers together from the consecration to the ablutions
9.
Omit the prayer
of the faithful whenever possible.
10.
Use only the
Roman Canon, mentioning all of the
saints and using the “through Christ our Lord conclusions.
11.
Say the prayer
“Placeat tibi” or the Prologue of John’s Gospel (the “last gospel” of the TLM)
as a “community devotion” at the end of Mass.
While such practices may
increase a certain piety in the liturgical celebrations, I am not sure, given
the difference between piety and spirituality, how all this relates to
“spirituality.” The article’s author, Professor Peter Kwasniewski of Wyoming Catholic
College, claims
Since
the usus antiquior preserves in a specially intense way the theology and
piety of many centuries of faith, a judicious emulation or adoption from it of
elements of holiness and “good form” will make a real difference in the
devotion of the celebrant and the ensuing fruitfulness of the Mass.
I
can’t disagree that the usus antiquior
preserves the theology and piety of many centuries of faith, but that is no
guarantee that it will bring about an increase of holiness for either the
priest-celebrant or the faithful attending.
I have no doubt that the faithful attending a devoutly celebrated TLM
can benefit from the graces thereof, but I have seen no convincing evidence
that there is either a quantitative or qualitative superiority of the graces
bestowed in one rite over the other.
Certainly
Professor Kwasniewski’s suggestions go back to the Liturgy as theatrical
performance model as his suggestions push the faithful to the edge of
irrelevance to the Rite, something that might inspire a certain sense of awe
but which would not normally be taken to result in a deepening of
spirituality. That sense of awe or
mystery, taken for itself alone, remains a subjective experience which is not
to say it could not be a channel of grace but it remains only piety. I think this is the problem when people have
not studied Christian spirituality sufficiently well and they confuse feelings
of aesthetic pleasure of spiritual experience.
As I have often said before, go and see the last scene of Act 1 of Tosca and you will be transported to the
seventh heaven with incense and chierichetti
and copes and ombralline galore. I confess that the “New Mass” is too often
poorly celebrated with ugly churches, overly chatty priests, servers that show
little attention to their duties, music that is banal at best, and people who
come late, leave early, and show precious little interest in what is going on
at the altar. I don’t go to those churches
and I don’t know why other people do.
But I am old enough to remember fly-specked altar clothes, albs with
ripped lace, altar-servers who kept nudging one another to make each other
laugh, a old lady with a chipped larynx warbling the Missa de Angelis from the choir loft, and a priest with last
night’s whiskey still on his breath. I
know now that the old rite is so rarely done, few priests are still quite so
casual about it, but why does it now have to reduce the celebration of the Mysterium Fidei to something akin to Les Ballets Trocadero de Monte Carlo? No, the Novus
Ordo doesn’t need to look to the Usus
Antiquior for guidance. It just
needs to be done with an incarnational mixture of human authenticity and divine
gravitas.






